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Showing posts with label Drama. Show all posts
Showing posts with label Drama. Show all posts

Creed


 The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.
Director:
Ryan Coogler
Writers:
Ryan Coogler (screenplay), Aaron Covington (screenplay) | 2 more credits Stars:
Michael B. Jordan, Sylvester Stallone, Tessa Thompson




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Storyline

Adonis Johnson is the son of the famous boxing champion Apollo Creed, who died in a boxing match in Rocky IV (1985). Adonis wasn't born until after his father's death and wants to follow his fathers footsteps in boxing. He seeks a mentor who is the former heavyweight boxing champion and former friend of Apollo Creed, the retired Rocky Balboa. Rocky eventually agrees to mentor Adonis. With Rocky's help they hope to get a title job to face even deadlier opponents than his father. But whether he is a true fighter remains to be seen.... Written by Blake ordonez

User Reviews
 

1st Round Knock Out!
27 November 2015 | by ThatMonkey (thatmonkey@hotmail.com) (Seattle Washington) – See all my reviews

About a month ago a friend called me from L.A. sobbing and slobbering like a baby. Once I got him calmed down, I asked him, "What's the hell was going on?" He said, "If you are wondering if J.J. Abrams did it, he did!" For those of you not in the know. J.J Abrams is famous for being the creator of Alias, Lost, 8MM, The Star Trek reboot and most recently The Force Awakens. Due to his Screen Actors Guild affiliation, my friend was able to see an advanced screening of the film. He told me for the 1st time in his life, he felt like a kid again. Although I couldn't really identify with the statement, I believed I knew what he was saying and where he was going and eagerly awaited seeing the film.

I experienced this first had today. No, I haven't seen The Force Awakens, but I did see Creed. It amazed me how many people I talked to over the past few months were unaware of this reinvention of the Rocky franchise. No question the series came off the tracks after Rockey IV, The War. However, this is the first movie in the series to not be written by Sylvester Stallone and although you know the character, you don't know the man, at least not yet. By the third act, I found myself crying uncontrollably; literally vision blurry from the emotional flood. The story was stirring and flawless, the drama, conflict and tone were far beyond real. This isn't the Rocky, or the struggle you remember. I challenge you to see this film and not be moved and that goes for men or women and franchise fans or not.

Imagine Michael Keaton in the Batman Begins role. That's what this film did. They took a familiar face and name and moved it into a rough rugged and raw, realistic world. This is the second film from Oakland native Ryan Coogler. His first film Fruitvale Station was a sobering tales based on an actual event that produced L.A. Riot destruction in the Bay Area. This up and coming writer and director is Oakland born and raised and his urban city upbringing casts a light on the film that makes you understand the journey in a way that pulls at your heart.

Visually the film is staggering, light, texture and motion all draw you in. Ironically the fight music from the Rocky franchise is called, "Alone in the Ring" at least twice I was drawn into this film deeply that I would have swore I was in Creed's corner if not in the ring myself. The soundtrack, although rap will motivate you. The lyrics may escape you, but the beats and fluidity and actually match the pace of your film and much like the thump of "We Will Rock You" your pulse and breathing will start to match the pace of the film. The acting is so strong, you won't miss "Yo Adrian" and you will remember that Stallone is an Academy Award Winner and that much of Hollywood thought that the director and star of this film should have got Oscars for their collaboration on Fruitvale Station.

By the movies end I was on such a euphoric state that I was fully prepared to leave my car and the theater and do a little road work and run home. Now, I wasn't alone, so leaving my car wasn't an option and certainly a block into this legendary run I would have realized that I'm a heavyweight in size alone and no longer a competitive athlete out of breath, would have walked back to my car with a Slurpee and fast food burger in hand.

Now, how often will a grown man admit to crying when it has nothing to do with the size of Kim K's ass. I can tell you this, fella's. There is The Godfather, Scarface and Creed. The movie is just that Gangsta.

I fully expect a nomination and win for this film. It's hands down top 10 in my book and the 1st movie to make me cry since E.T. re-boarded the mothership. Both this film and Straight out of Compton are strong arguments for Black Cinema and although race is not the issue here, we all have a story to tell and if it's only told from one perspective, you are missing out on details that may shape your belief, but then again, that might be "The Mans" fear.

I am moved, my soul is refreshed and I'm rejuvenated by the notion that great storytelling still exists. Rocky was the original story of the underdog, and this retelling of his tale is overdue.

A bit of trivia, the original Rocky was released 40 years ago to the date of this release and Sylvester Stallone is the same age as Burgess Meredith at the time of that release. Full Circle!


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Victor Frankenstein

 Told from Igor's perspective, we see the troubled young assistant's dark origins, his redemptive friendship with the young medical student Viktor Von Frankenstein, and become eyewitnesses to the emergence of how Frankenstein became the man - and the legend - we know today.

Director:
Paul McGuigan
Writers:
Max Landis (screenplay), Max Landis (screen story), 1 more credit »
Stars:  Daniel Radcliffe, James McAvoy, Jessica Brown Findlay




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Storyline

James McAvoy and Daniel Radcliffe star in a dynamic and thrilling twist on a legendary tale. Radical scientist Victor Frankenstein (McAvoy) and his equally brilliant protégé Igor Strausman (Radcliffe) share a noble vision of aiding humanity through their groundbreaking research into immortality. But Victor's experiments go too far, and his obsession has horrifying consequences. Only Igor can bring his friend back from the brink of madness and save him from his monstrous creation. Written by 20th Century Fox

User Reviews

It's alive?
29 November 2015 | by Zbigniew_Krycsiwiki (United States) – See all my reviews

The opening shot, blurry, a figure moving in slow motion, brought to my mind a scene in the book of the monster seen going across the snow- covered landscape from a distance, ... but that is about as close to the book as the film gets, which is both good and bad. It's good because it tells an original take on the story, but it's also bad because it tells a mostly satirical story, told from Igor's perspective, largely poking fun at the clichés in the various film versions of Frankenstein, rather than a faithful adaptation of the novel.

James McAvoy hams it up as Victor Frankenstein, with a brilliant intro ("Might I know your name?" Igor asks him, Vic turns to look at Igor, freeze frame, title appears) while the rest of the cast downplays it nicely, Jessica Findlay is quite attractive, even in the unrevealing Victorian-era clothing. The film is sightly more serious than its comedic-looking trailer made it appear. Good sets and costumes, and some quick witted, sharp dialogue, but the story never really comes alive (pun totally intended)

Curiously released at Thanksgiving 2015, it might have fared better than its $600.000 opening if it had been released at Halloween. Considering this was filmed in late 2013, it surely must have been ready for Halloween 2015, or 2014 for that matter.




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Chi-Raq

 A modern day adaptation of the ancient Greek play Lysistrata by Aristophanes, set against the backdrop of gang violence in Chicago.

Director:
Spike Lee
Writers:
Kevin Willmott, Spike Lee, 1 more credit »
Stars:
Nick Cannon, Teyonah Parris, Wesley Snipes |




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Storyline

After the murder of a child by a stray bullet, a group of women led by Lysistrata organize against the on-going violence in Chicago's Southside creating a movement that challenges the nature of race, sex and violence in America and around the world.

User Reviews

Excellent film
5 December 2015 | by sespoor (Portland) – See all my reviews

I loved this film, I have always appreciated Spike Lee. Chi-Raq is timely, poignant, honest, political, smart, sexy, thought provoking, tragic and important. Black culture is rich and beautiful and should be celebrated. I'm not understanding the static Lee is receiving from the Black community but I'm White so I'm not sure I can. But what I do know is that oppression breeds contempt breeds hate. I can't wait to hear what bell hooks is thinking- about the power of pussy, about women taking an absolute stand on Black on Black violence and how the film plainly states that oppression by the White patriarchal machine is the reason why there is so much violence in the 'hoods of America. Haters gonna hate but this film is important!!





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Love

 Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.

Director:
Gaspar Noé
Writer:
Gaspar Noé
Stars: Aomi Muyock, Karl Glusman, Klara Kristin |



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Storyline

Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.


User Reviews

Anything that can go wrong, will go wrong.
18 November 2015 | by p-vengrinovich – See all my reviews

'Love' will most likely be discredited by many due to it's sheer honesty, like many films of it's kind are. Yet this honesty, as brutal and daring as it might seem, feels necessary to connect with and understand what the characters are going through, on an entirely new emotional level. In the words of Murphy, Gaspar Noe might have made the only movie that truly depicts 'sentimental sexuality'.

'Love' has many subtle and not-so-subtle references to the underlying story and to the director himself. Gaspar's mother is named Nora Murphy, while Murphy's son is named Gaspar and Electra's ex boyfriend - Noe. His favorite movie is Kubrick's '2001', while hers is Lang's 'M', both of which seem to fuel Murphy and Electra's behavior throughout the movie, where Murphy is often aimlessly overwhelmed with hope and desire, while Electra seems unable to forgive.

Gaspar Noe constantly cuts through the past and the future, using the techniques he is so familiar with since Irreversible. The movie abruptly switches between various stages of Murphy's and Electra's relationship, always cutting back to the present, where Murphy's is in absolute emotional agony and despair, raising a child with Clara.

At times Murphy and Electra are so deeply engrained in one another that their fights and dialogues seem outright comical and immature, as if we are observing a 16 year- old couple. But this is truly where 'Love' stands out. Being in love feels and looks exactly like this, it's raw, emotional and brutal yet foggy and sweet; when no one else exists or matters.

In one of Electra's and Murphy's conversations they talk about the sad reality that they are going nowhere and dragging each other down, they discuss taking a break. It is an extremely sad and emotional scene, where the thought itself brings so much fear into them, that they simply end up holding each other even tighter.

The script for 'Love' is only 7 pages long. It is full of beautiful and weird dialogues and extremely emotional, 'free-played' graphic scenes. These scenes however are not there to impress the viewer or open the doors to the unknown. This is also not a nymphomaniac-like sexual exploration. Gaspar Noe does a masterful job in showing us the true emotional aspect of love, in it's raw and relatable form, sex.

The sound-score is stunning, with the music gradually changing depending on the mood and the context of the scenes. Even though a lot of times it seems like we are watching the same people 'fuck' in the same positions, different context, feelings and music make each of these scenes truly unique and mesmerizing on it's own.

Noe also does a wonderful job in his minimalistic depiction of the story and the scenery. Murphy and Electra always wear contrasting colors, while the background is usually very simple yet fitting to them both. As if to say that when in love, everything should be seen through the eyes of the lovers.

'Love' might sometimes seem silly, overly graphic and way too sentimental, yet it hits all the right notes.





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Brooklyn

 An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a new romance. When her past catches up with her, however, she must choose between two countries and the lives that exist within.

Director:John Crowley
Writers:
Nick Hornby (screenplay), Colm Tóibín (novel) (as Colm Toibin)
Stars:
Saoirse Ronan, Emory Cohen, Domhnall Gleeson |

 


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 Storyline

Eilis Lacey followed her sister, Rose's, plan to leave Ireland and find a better future and job in the US. She departs terribly, enduring seasickness and a terrible relationship with her cabin mates. A kind traveler gives her advice to live in Brooklyn, where many Irish immigrants live. Eilis settles in Brooklyn and becomes close to Father Flood, a Catholic priest. She gets a job in a department store and falls in love with an Italian boy named Tony. News from home sends Eilis back to Ireland, away from Tony. Written by Gusde

User Reviews

I haven't stopped thinking about 'Brooklyn' since
6 November 2015 | by tarakate-54315 (Ireland) – See all my reviews

Wow,Brooklyn, easily one of the best films I have seen in a long time. Once you see it you can't stop thinking about it especially if you've made a similar journey to Eilish's,which nearly everyone has. Although it's set in the 1950s, 'Brooklyn'is still universal today. Saoirse Ronan gives her best (Oscar worthy) performance along with Emory Cohen in this magnificent coming-of-age tale about becoming independent, finding love and carving out your own path in life.Julie Walters really cracked me up in the boarding house scenes as did the supporting cast. I liked how there was no cattiness amongst the ladies. They all looked out for and supported one another which is a rarity in cinema these days. Domhnall Gleeson gives a fine performance as Jim, a change from his usual roles. I can't recommend 'Brooklyn' enough. It will make one cry, laugh, think about one's own life and the choices one's made. As Steven Zeitchik LA TIMES said "If you dislike Brooklyn the movie, you have no soul".



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